Charles


Charles has been working in bookstores for over 20 years and has found it to be the best place to hide from the responsibilities of adult society. He is an avid reader and has probably read more books than you. He hopes he is not anywhere near as obnoxious as he used to be, but he does still enjoy being the person farthest to the Left in any dinner conversation.

$11.95
ISBN-13: 9781570271519
Availability: On Our Shelves Now
Published: Autonomedia, 1/2003

The title alone should be enough of an intrigue to get your attention. Hakim Bey is probably the most popular American writer that no one has ever heard of (check out how many websites are linked to him). For those in the know, Bey is easily the most cutting edge and controversial political philosopher at the end of this American Century. I would go so far as to say that he has the ability to approach common problems of 20th century politics with the same lateral-thinking genius that Einstein brought to 19th century physics; he sidesteps the implicit and invisible assumptions of most political dialogue, treating social change as a zen koan and anarchism as Western culture's crass attempt at something equivalent to Taoism. I promise that you've never read anything quite like this.

(ed.- i wrote this review before the turn of the century. i still stand behind most of what's said here, but these days, for 'cutting edge', i would refer you to the more recent work of anthropologist, David Graeber.)


$35.95
ISBN-13: 9780415189781
Availability: On Our Shelves Now
Published: Routledge, 1/2001
A fascinating exploration of the effect conspiracy theory has had on American culture and discourse. Mr. Knight does an excellent job of clarifying the diverse phenomena and definitions which have become attached to the phrase "conspiracy theory", in the process building an impressive theory of conspiracy as the meta-narrative currently acting in our culture to help us process the overwhelming and contradictory information we are all exposed to daily. Includes some great lit-crit stuff about Delillo and Pynchon and an amazing chapter on popular Feminism as conspiracy theory that forces the reader to reevaluate the merits of conspiracy thinking.

Gravity's Rainbow (Paperback)

$20.00
ISBN-13: 9780140188592
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Published: Penguin Classics, 6/1995
This classic American novel is, unfortunately, not well known by many people. Published in the early 70s, its themes and concerns are more pertinent now than when it was written and its influence can be seen for example in the works of Don Delillo, David Foster Wallace, and the entire genre of 'Cyberpunk.' In pop culture, the "X-Files" exemplifies the obsession with tracking the factionalism and cross-purposes of the invisible power structures in our society that Pynchon set the standard for in "Gravity's Rainbow." Its complexity and grand structure make it comparable to the works of James Joyce. This is by far, the best book I've ever read.

Infinite Jest (Paperback)

$18.00
ISBN-13: 9780316066525
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Published: Back Bay Books, 11/2006
This novel is a tour de force of character and plot construction that is designed as an open-ended puzzle for the reader to piece together. Its scope is akin to the work of Pynchon with a satirical humor lifted from Vonnegut. With 1,000 pp of text and 100 pp of footnotes, it's a masterpiece of postmodern literature. By turns hilarious and gruesome, this book is highly recommended to anyone with a slightly cynical sense of humor and a strong stomach.

Story of the Eye (Paperback)

$9.95
ISBN-13: 9780872862098
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Published: City Lights Publishers, 1/1987
This first work by the famous French philosopher was written when he was only 21 years old at the behest of his Freudian therapist. Although short enough to read in one sitting, this story embodies all the major themes that were to become his life's work: sex, death, violence, critique of Western dualist thought, and the search for enlightenment through extreme self-debasement. Its obsession with the harsh visceral nature of human existence is, paradoxically, intensely spiritual, inexplicably making this probably the most erotically charged novel I have ever read.

$13.95
ISBN-13: 9781401309145
Availability: Special Order - Subject to Availability
Published: Hyperion, 9/2007
Goodman is the Edward R. Murrow, the Walter Cronkite of our generation. Ironically, her own investigative work makes it clear why people like herself have no voice in the mainstream media anymore. This book is a highly recommended antidote to Pravda...I mean Fox News.

Underworld (Paperback)

$18.95
ISBN-13: 9780684848150
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Published: Scribner, 7/1998
This is easily Delillo's best work, combining the pathos of "Libra" with the cultural criticism of "White Noise"; a meditation on baseball, garbage, J. Edgar Hoover and the Bomb. "Underworld" may very well be the novel that captures the zeitgeist of the end of this American century.

$19.99
ISBN-13: 9780060838652
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Published: Harper Perennial Modern Classics, 8/2005
Howard Zinn is the high school teacher I wish I’d had. In interviews he describes himself as a self-taught historian even though he has a Ph.D. from Columbia. His point is that almost all of the material in his “People’s History…” had to be discovered and researched independently as none of it was ever part of his professional education. And that’s the point; this book covers history that is almost never part of the curriculum. From the first page, where he quotes Columbus advocating a policy of deception in order to enslave the natives, to the last chapter, where he documents Clinton’s quiet dismantling of the New Deal, habeas corpus, and the 1st amendment, Zinn is unrelenting in his condemnation of the myth of American History. It is, by turns, engrossing, depressing, and enraging, but it is never boring. This twentieth anniversary edition adds about a hundred pages of new material, so even if you’re already familiar with this text it’s worth having this nice cloth version of the book that taught us the true meaning of American Ingenuity.

Use of Weapons (Paperback)

$14.99
ISBN-13: 9780316030571
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Orbit, 7/2008
Speculative fiction: Post-scarcity/anarchism/cultural imperialism… More well known to readers of ‘straight’ fiction as the author of the ‘Wasp Factory’, Banks is also well known for his interconnected sci-fi novels. Most of these novels are set against the backdrop of a civilization known as ‘The Culture’. Made up of many different species, the Culture travels, nomad like, on giant, sentient ships and represent the very model of a post-scarcity anarchist society. They want for nothing and can basically do whatever they want. Banks creates conflict by structuring these novels from the point of view of a protagonist who is outside of, or resisting the Culture for religious or political reasons. This allows Banks’ work to be not only a meditation on the economic theory of post-scarcity, but also on the inherent conflicts caused by cultural imperialism. All these novels are excellent and Banks is a master of juxtaposing the macro-scaled elements of the story with the real wit and pathos found on the micro-scale of the characters' lives.

Gilligan's Wake (Paperback)

$19.00
ISBN-13: 9780312311148
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Picador, 2/2004
Most of the best that Pop Culture has to offer these days (X-Files, Simpsons, Hip-Hop, Buffy, David Fincher, Spike Jonze, etc.) exhibits a distinct interest in the same ideas, techniques and self-aware anxieties that were part of the high literary challenge of the great masters of the middle of the 20th century (Pynchon, Gaddis, Barth, Coover, etc.). The interesting, maybe ironic, thing now is how that post-modern sensibility has now returned to its original medium in the works of DFW, Eggers, Danielewski and now Carson, but with the distinctly user-friendly attitude we expect from Pop. In fact, Carson's new novel may be the most successful in bringing this heady tradition to the average reader. By examining the American century through the eyes of the characters from a bad 60's TV show, he has created a rich and layered text that is by turns hilarious, poignant and sharply critical without marginalizing itself with overwrought prose. I'm hoping this one will be big with the kids in '03.

$20.00
ISBN-13: 9780440539810
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Published: Dell, 1/1988
If you're wondering what possible connection there could be between UFOs, John Dillinger, Aleister Crowley, JFK, H.P. Lovecraft, Nazis, atlantis, Albert Einstein, quantum physics, freemasonry, LSD, the CIA, James Joyce, Thomas Pynchon, George Washington, marijuana, the Knights Templar, Hassan I Sabbah, Karl Marx, numerology, the I Ching, the Rosicrucians, the Comte de St. Germain, Buckminster Fuller, Timothy Leary, Wilhelm Reich, Emperor Norton, Al Capone, Henry Ford, Stonehenge, and the Lost Continent of Mus... then this is the book for you. The pop culture classic that made 'conspiracy theory' a dirty word.

$29.99
ISBN-13: 9781401245023
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Published: Vertigo, 2/2014
Grant Morrison, well known in comics circles as an A-list writer for DC comics, came to American comics as part of the British Invasion of the mid 80's that included Alan Moore and Neil Gaiman; and like those authors Morrison qualifies as one of the best examples of the literary and artistic possibilities that the genre had rarely exhibited up to the point of their arrival. 'Doom Patrol' and 'Animal Man', two minor and forgotten properties of the 60's DC era, are given new life by Morrison's masterful use of the same revisionist techniques Alan Moore made so famous with 'The Watchmen'; what were badly written, cheesy characters now become invested with humanity, political sophistication, and story structures utilizing the best of the kind of meta-fiction found in writers like Vonnegut or Pynchon. Morrison's masterpiece, however, is the multi-volume series 'The Invisibles'; an epic tale of revolution, mysticism, and paranoia that is so referentially dense it also works as a grand, psychedelic infused intro to the study of art history and 20th century politics. required reading.

$24.95
ISBN-13: 9781607013303
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Published: Prime Books, 4/2012
Anyone who is a fan of the work of William Gibson, Neal Stephenson or Bruce Sterling should already be familiar with Mr. Shirley; if not, take heed. Both Gibson and Sterling have been known to sing his praises in interviews and both cite him as influential to their work. He is included in every cyberpunk anthology that I know of and is considered part of the pantheon. Unfortunately, most of his work has been out of print for years; it being the victim of the rise to power of the marketing dept. in publishing houses. Now that may be changing with the release of two collections of stories and the reissue of the "A Song Called Youth" (or "Eclipse") trilogy. The trilogy is considered one of the lost masterpieces of the cyberpunk genre. I personally spent almost five years tracking down all three volumes in used bookstores and am glad I did. Now's your chance.

Sacred Hunger (Paperback)

$15.95
ISBN-13: 9780393311143
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Published: W. W. Norton & Company, 11/1993
Mr. Unsworth won the Booker Prize for this one. At the time I discovered it I had been reading a book on lost and forgotten utopian movements in American history and the subject of the novel dovetailed nicely. However, I didn't expect it to be so beautifully written and emotionally stirring. It has a compelling narrative, but, for me, it was a meditation on the free society, race, the psychology of authoritarianism, and the sacred hunger for capital.

Against the Day (Paperback)

$18.00
ISBN-13: 9780143112563
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Penguin Books, 11/2007
Spanning the period between the Chicago World's Fair of 1893 and the years just after World War I, this novel moves from the labor troubles in Colorado to turn-of-the century New York, to London and Gottingen, Venice and Vienna, the Balkans, Central Asia, and elsewhere.

The Joker (Hardcover)

$19.99
ISBN-13: 9781401215811
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Published: DC Comics, 11/2008
Easily the best psychological exploration of this most famous of villains since Alan Moore’s ‘The Killing Joke’. The choice of criminal protégé as narrator works brilliantly and the juxtaposition of the passionate, scenery chewing Joker with the omnipresent, but offstage and cold-as-ice Batman throws an almost sympathetic light on the ultimate nihilist. The finest moments are scenes that subtly and smartly suggest that rather than being a true sociopath, Joker actually cares very deeply about his place in the world and especially about the opinion of the Batman. Azzerello’s work here easily ranks alongside the other classic texts of these archetypal American myths and has the potential to be part of the pantheon of great stories that taught us not to be embarrassed about our love of comics.

$15.99
ISBN-13: 9781593078225
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Dark Horse Comics, 11/2007
BUFFY SEASON #8: This one is strictly for people who are in the know. If you are one of the faithful, then this is a must read. With the advent of Buffy in comics, Whedon has really hit his stride with this medium. The story, characters, dialogue and humor are just as compelling as they ever were when being produced for TV and the scope (now that it’s not constrained by a budget) is epic. Also, reading Whedon’s Buffy instead of watching it makes it much more obvious what a huge influence his work has been on other great comics writers like Brian K. Vaughan and Brian Michael Bendis. The patience of the faithful has at last been rewarded and we can once again bask in the glory of the master (just kidding…sort of…).

Neuromancer (Paperback)

$16.00
ISBN-13: 9780441007462
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Published: Ace Trade, 7/2000
In 1984 William Gibson changed the face of Science Fiction when he published his first novel, "Neuromancer". Overnight serious SF abandoned its jingoistic-epic tradition and became a contemporary forum for dystopian social commentary. "Neuromancer" single-handedly created the sub-genre of Cyberpunk; a literary trend that dominates SF books and films to this day. Gibson's ability to extrapolate current social trends into the near future, and his concern for the classic existential elements of 20th century literature make him one of the few serious speculative fiction authors of the last twenty years. In that first book, Gibson coined phrases and invented concepts that we now take for granted in pop culture; and his handling of the potential of virtual reality raises disturbing philosophical issues that read very much like the mystical paranoia of Philip K. Dick. His work since "Neuromancer" has consistently dealt with these literary and philosophical themes.

$28.00
ISBN-13: 9780140243642
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Penguin Books, 3/1998
Orlando Figes is a middle of the road British social democrat; a trait that works to his advantage in his extensive new history of the Russian Revolution. It's very difficult to find a work on this subject that is not either a rabid rightwing tract (Richard Pipes), or an apology for the Bolshevik abuses (Edward Hallett Carr). Figes work, though, seems to reflect a more sophisticated post cold-war position that recognizes the legitimacy of the revolution without placing the credit and/or blame solely in the hands of Lenin and his cronies. By placing his sympathies with the faceless peasants and urban poor rather than the few well known urban intellectuals that most histories depend on, Figes position on the subject seems surprisingly close to the almost forgotten critiques of the Revolution offered by the anarchists of the day; Emma Goldman and Alexander Berkman both praised what was happening early on as a great spontaneous uprising of the nation, and both condemned the Bolsheviks for what amounted to a Coup by a small group of controlling elitist intellectuals that, in a very short time, crushed the inherently democratizing nature of the uprising. On the other hand, Figes does not make the mistake of most polemicists by ignoring the brutal ignorance of the peasants and working poor; by closely following the life of Gorky, his early work with the peasantry and his later disillusionment with the revolution, Figes shows how the masses were constantly metaphorically shooting themselves in the foot, creating more than enough hysteria and fear to provoke even the mildest of authoritarian tendencies. The one glaring weakness I was able to find in this work was Figes laughable sympathy for the Romanov family. Only a British scholar could lament Russia's lost opportunity for a smooth transition to a British-Monarchist style democracy. Luckily, this stuff is only in the early chapters so it wasn't too difficult to get through. Solid reading for anyone interested in the event that truly set the standard for the 20th century.

$15.95
ISBN-13: 9780375724886
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Published: Vintage, 8/2004
A few years ago I came across an essay in an issue of the Village Voice Literary supplement by a more or less unknown author named Jonathan Lethem who was arguing that the science fiction community had betrayed its own potential when it refused, in 1974, to give the Hugo or Nebula award to a novel nominated that year by the name of 'Gravity's Rainbow'. Of course, this caught my attention and I've been watching Lethem's career ever since. Around the time of the essay in the VVLS, Lethem's work tended to be thought of as ambitious, but not very successful literary sci-fi. In 2000 he garnered a lot of praise and a National Book Critics award for his book Motherless Brooklyn; a formulaic mystery novel with the added wordplay created by a narrator with Tourett's syndrome. This started out very strong, but seemed to become bored with itself by the end. So, for me, Lethem's work always seemed to be on the verge, but never quite successful. Well, so, the point here obviously being that his new work, The Fortress of Solitude, is the novel which has finally placed him in the (very small) company of truly respectable American writers. Fortress is an ambitious work that paints a vivid portrait of urban America in the last half of the 20th century that resonates with the same awareness of time, place, and the unspoken and embarrassing truth about ourselves that I think is compelling in the work of early 20th century writers such as Edith Wharton, Ralph Ellison, and John Dos Passos. Some passages of Fortress are simply beautiful to read, exhibiting a control of the English language that I rarely find in many of the popular contemporary writers (Chabon and Eggers come to mind as failures here). Lethem's sensitive and expert handling of pop-culture history makes it shockingly apparent how little real, successful work has been done that can represent the truly poignant childhood memories of the gen-x for a world filled with Hannah-Barbera cartoons, comic books, and the great rock-funk-soul-punk era of music. The literature of the boomer generation has so saturated our awareness with that particular generation's pop-culture concerns that we tend to not even recognize it as such until a writer like Lethem points out the validity of a younger experience; not in a tongue in cheek way like Douglas Coupland, but with a humble seriousness that pays respect to his own generation. He even goes so far as to incorporate what might be called a "magical realism" element that is a direct and unapologetic homage to a generation raised on comic books. What is most impressive about Fortress, however, is the way Lethem is able to make these different elements revolve effortlessly around the true core of this novel: an unflinching meditation on the effects of race and class in a post civil-rights era world. As seen through the eyes of a young white boy growing up in an overwhelmingly African-American neighborhood in the 70s, the world of Fortress slowly unveils the last quarter of America's 20th century as a schizophrenic battle between the triumph of African-American culture even as it is buried under the yolk of poverty and Crack, and the love/hate relationship that white America has always had with the Other. Dylan, the young white protagonist, loves his black friend Mingus and wants to be accepted by his neighbors even as he fears their attention. And as the characters and the novel grow, the tragic shame of America's prison-industrial complex is mirrored by Dylan's withdrawal from his responsibilities to his friend and his past. With this novel Lethem has joined the small, but growing, ranks of great American gen-x writers such as William Vollman and David Foster Wallace. The Fortress of Solitude may turn out to be one of the representative novels of my generation. Charles.

$22.95
ISBN-13: 9781904859666
Availability: On Our Shelves Now
Published: AK Press, 12/2007
Graeber is an anarchist, an anthropologist who has appeared on the Charlie Rose show, worked with the Direct Action Network as part of the anti-globalization movement, has been credited with writing the first academic article about ‘Buffy the Vampire Slayer’, and is most well known here at Skylight as the author of the popular little manifesto: ‘Fragments of an Anarchist Anthropology’. His work has the very refreshing quality of being rigorous without being ghettoized by academic-speak. He is one of those rare academics, like Pierre Bourdieu and Giorgio Agamben, who is not afraid to address the political implications of his professional work; a quality that is very exciting for those of us who have suspected that the discipline of anthropology has much to offer in the struggle against authoritarianism. This new collection of essays, brought to us by those heroes at AK Press, is a major tool to be used for spanking your inner policeman.

$16.00
ISBN-13: 9780143112129
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Published: Penguin Books, 5/2007
With a baroque architecture built around the simple premise of a murder mystery, this is an ambitious work by first-time novelist, Pessl. Structured like a syllabus for a postmodern course in literature, the novel is narrated by a vaguely unlikable and precocious highschool student whose voice could be straight out of something by Nabokov. Hoping for great things from this young author.

$23.99
ISBN-13: 9780060928834
Availability: In the Warehouse (Usually ships to store or customer in 2-7 days. Call for time-sensitive orders)
Published: Harper Perennial, 5/2001
Barzun’s writing reminds me of an old library filled with antique furniture, a fireplace and soft lighting; it’s comfortable, erudite and friendly. Born in 1907, Barzun has written thirty books and has been working in his field since the 1920’s. Written with an ease that discourages any questioning of his authority, "From Dawn to Decadence" is an excellent introduction to all things Western. Although there were sections of opinion that I would tend to disagree with, he writes with such reasonable calm and empathy for his subjects that I found it impossible to become frustrated with him. In fact, the difference in his age and point of view became an unintentional bonus for me; giving me a glimpse into a brilliant mind that was developed during the height of Modernism in the early twentieth century and tempered through the dawn of a new millennium.

The Sot-Weed Factor (Paperback)

$21.00
ISBN-13: 9780385240888
Availability: Special Order - Subject to Availability
Published: Anchor, 8/1987
A contemporary of, and influence on Pynchon, Barth is one of the great American writer's in the school of meta-fiction and/or postmodern fiction. This novel (considered to be his best)however, does not display most of the trappings of that genre; instead it reads exactly like an 18th century baudy romp in the tradition of Fielding's "Tom Jones". Of course, in the execution of this homage/parody, Barth goes way beyond baudy and straight into levels of perversion and radical politics that would make even most contemporary audiences cringe.

$29.99
ISBN-13: 9780785118053
Availability: On Our Shelves Now
Published: Marvel, 1/2006
Bendis’ character and dialogue driven stories have changed the face of action oriented mainstream comics. Two of Marvel Comics lead titles (‘Ultimate Spiderman’ and ‘New Avengers’) are his babies, and the traditional ratio of action to exposition is entirely reversed in these stories; the best and most dramatic scenes being, for instance, six pages of dialogue between two characters sitting on a bed. Bendis’ ability to create a sense of comic timing in a still panel is astounding and obviously influenced by the work of Joss Whedon. My favorite title by Bendis, however, is ‘Powers’. A multi-volume independent series that is essentially ‘NYPD Blue’ crossed with the world of superheroes, ‘Powers’ follows a couple of sharp-witted homicide detectives in their never ending investigations of the deaths of the hapless heroes who are murdered in spectacular ways. ‘Powers’ is highly recommended for anyone who likes their superheroes to be well deconstructed.

$21.00
ISBN-13: 9780375703768
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Published: Pantheon, 3/2000
This author's first novel seems to aspire to the kind of artistic tightrope act that I've come to love; work that strikes a balance between the heights of the avant garde and the depths of pop culture not unlike Sonic Youth's music or Stanley Kubrick's filmmaking. Danielewski has tried to place the meaning and purpose of this novel, at least partly, in the typography and page layout itself; an ambitious piece of literary deconstruction. On the other hand, the core of the story is surprisingly simple; the kind of gothic horror tale you would find in any H.P. Lovecraft collection. This is well worth the reader's effort and if nothing else, the book itself is beautiful to look at.

$12.95
ISBN-13: 9780972819640
Availability: On Our Shelves Now
Published: Prickly Paradigm Press, 4/2004
For many years now I've been waiting for a book to come along with the same exciting qualities as Hakim Bey's "T.A.Z"; terse, philosophically challenging, a synthesis of brilliant ideas, a manifesto for a new generation's resistance. Graeber's book has actually met those requirements. This is a refreshing and accessible look at our culture's general inability to think outside the box and a clear explanation of some commonsense ideas that simply needed to be put into words. Graeber expands on Hakim Bey by discussing how prevelent anarchist-like systems and cultures are already existing in the world now, but are invisible to the average person who lives trapped by cliches like, "anarchist organization? Isn't that an oxymoron?" Ha Ha. I can't tell you how many times I've heard this lame joke or how vindicating it is to see Mr. Graeber put it to rest. This book is highly recommended to anyone with an interest in the utopian project of envisioning the possibilities for a better world, or anyone who would like a template for understanding the structure of the growing anti-globalization movement, its consensus process, and the threat this poses to our petrified and so-called, "representative democracy".

The Blade Itself (Paperback)

$17.00
ISBN-13: 9781591025948
Availability: On Our Shelves Now
Published: Pyr, 9/2007
Abercrombie is one of the next gen Low Fantasy writers who seems to have been deeply influenced by George RR Martin; bloody, cynical swords & sorcery with any moral clarity being represented by it's shear absence in the decision making of the characters within. so far, his work consists of a series of six loosely interconnected novels that are well constructed and thoroughly enjoyable. the real prize to be found here, however, is the way each of the novels is designed as an homage and/or a parody of a particular literary template. the first three are a cynics version of Tolkien; the fourth is very much a Dumas novel; the fifth, Tim O'Brien; the sixth, a pastiche of John Ford and Eastwood Westerns. it sounds gimmicky, but they're actually rich in pathos and humor and leave me eager for more.