Touching upon labor, food, robots, environmentalism, nationalism, nationality, nuclear power, ethnic stereotypes, and sexuality through extant, dying, and made-up languages, Tawada's latest brings to (my) mind more questions than it provides answers. How different would it be, for instance, if it had been written in German instead of Japanese?
A mind-expanding, cheerfully dystopian new novel by Yoko Tawada, winner of the National Book Award
Welcome to the not-too-distant future: Japan, having vanished from the face of the earth, is now remembered as “the land of sushi.” Hiruko, its former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian): “homemade language. no country to stay in. three countries I experienced. insufficient space in brain. so made new language. homemade language.”
As she searches for anyone who can still speak her mother tongue, Hiruko soon makes new friends. Her troupe travels to France, encountering an umami cooking competition; a dead whale; an ultra-nationalist named Breivik; unrequited love; Kakuzo robots; red herrings; uranium; an Andalusian matador. Episodic and mesmerizing scenes flash vividly along, and soon they’re all next off to Stockholm.
With its intrepid band of companions, Scattered All Over the Earth (the first novel of a trilogy) may bring to mind Alice’s Adventures in Wonderland or a surreal Wind in the Willows, but really is just another sui generis Yoko Tawada masterwork.
About the Author
Yoko Tawada was born in Tokyo in 1960, moved to Hamburg when she was twenty-two, and then to Berlin in 2006. She writes in both Japanese and German and has received the Akutagawa, Lessing, Kleist, Noma, Adelbert von Chamisso and Tanizaki prizes as well as the Goethe Medal. In 2018 her novel The Emissary won the National Book Award.
Margaret Mitsutani is a translator of Yoko Tawada (sharing her National Book Award) and Kenzaburo Oe (Japan’s 1994 Nobel Prize laureate).
Magnificently strange. Tawada is reminiscent of Nikolai Gogol, for whom the natural situation for a ghost story was a minor government employee saving up to buy a fancy coat, the natural destiny of a nose to haunt its owner as an overbearing nobleman. — Rivka Galchen - New York Times Magazine
What is true of Hiruko, Tawada suggests, is true of everyone from the harmless Nanook to an ultranationalist called Breivik: Our national identities are at bottom simulacra, copies of originals that no longer exist, if they ever did. — Ryan Ruby - The New York Times
Wonderful—what is truly affecting is Tawada’s language, which jumps off the page and practically sings. — Juan Vidal - NPR
Threats abound—a changing climate, terrorism, and hostile political structures create danger and uncertainty—but these characters carry within themselves the seeds of a possible new world. Yoko Tawada’s Scattered All Over the Earth is a cheerful dystopian novel that celebrates inventiveness, possibilities, and human connections.
— Foreword Reviews
Tawada expands upon the themes of language, immigration, globalization, and authenticity which underpin this slyly humorous first installment of a planned trilogy. — Kirkus, Starred Review
Tawada slyly interrogates shifting (disappearing) borders and populations, native (invented) identities, assumptions, and adaptations. Her most frequent translator, Mitsutani, brilliantly ciphers Tawada’s magnificently inventive wordplay. — Booklist
Playful and deeply inventive. — Julian Lucas - The New Yorker
“Monet’s colors change with each brushstroke, yet his landscapes appear as a whole,” Knut reflects, and Ms. Tawada’s characters are similarly impressionistic: mobile, protean and evanescent, whirled together in a manner that can seem insubstantial but combines to form a vision of beauty and calm. — Sam Sacks - The Wall Street Journal
Reading Yoko Tawada is a marvel…Scattered All Over the Earth is a reflection on language, migration and identity that manages to be entirely unpredictable.
— Declan Fry - ABC (Australia)
For a book about the end of the world as we know it, Yoko Tawada’s Scattered All Over the Earth is awfully cheery… [I]t’s possible to not understand someone even when you speak the same language, and to use different words but still recognize each other well.
— Eve Sneider - Wired
Tawada’s satirical tone and flirtation with sci-fi are intensely original. — Julia Kornberg - Bookforum