This is a brilliant and dark book of mourning and memory. It took 13 years for Zambreno to sculpt it all together and you can feel it: It’s as sharp as a razor, taking in everyone and everything from wounded outsider artist Henry Darger and widowed and institutionalized Mary Todd Lincoln, to Virginia Woolf, Louise Bourgeois, Roland Barthes and his own Mourning Diary and many others. This is the type of book that has created its own beauty and its own form and leaves you feeling like you’ve come to literature for the first time! Wow…— From arlo
Writing is how I attempt to repair myself, stitching back former selves, sentences. When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood.
--from Book of Mutter
Composed over thirteen years, Kate Zambreno's Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes--and dead calm--of grief. Book of Mutter is both primal and sculpted, shaped by the author's searching, indexical impulse to inventory family apocrypha in the wake of her mother's death. The text spirals out into a fractured anatomy of melancholy that includes critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha, Peter Handke, and others. Zambreno has modeled the book's formless form on Bourgeois's Cells sculptures--at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space.
Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater.