In a sonnet, the 'volta' is the turn of thought or agreement. That is the demand, change is not a singular moment, but a permanent revolution. "I didn't ask for money / I meant to ask for a different / set of relations ....... but I work / I will have to remind them / as if to prove aliveness / to outshine my debt's reputation"— From Yves
Permanent Volta is a book of poems about constraint and debt, as much as it is about excess, credit, loving luxury, and hating work. These are love poems about how queer intimacies invent political and poetic forms, how gender deviance imagines post-sovereign presents and futures. Taking cues from Rosa Luxemburg's birdsongs and the syntax of invasive flowers, these poems strive to love lack. If history sees writers as tops and muses as bottoms, these poems are motivated by refusal, inversion, and evading representation. In Permanent Volta, the muses demand wages, and then they demand the world. Full of bad grammar, strange sonnets, and truncated sestinas, these poems are melancholy and militant, lazy and anti-state, greedy and collective. Permanent Volta is for anyone motivated by the homoerotic and intimate etymology of comrade: one who shares the same room.