When Sara Cwynar had an exhibition at the Minneapolis Institute of Art, I went all the time. The museum was free (bless) and a few blocks from my house and I would sit and watch her videos that tie ephemera to history, feminism, and production by investigating the creation of specific colors. I'm so excited to see these works translated into a new form!
Beautiful and simple writing. So glad to have this book in print again. Hazzard is an often overlooked writer who employs cosmic metaphors and feminine connections to keep you hooked!
We Too is an incredible collection of essays from the sex work community. There is so much to be learned here about how we value labor, intimacy, health, safety, and more. As we look to dismantle the systems we live in, why not learn from the people who have been living and working and loving outside the system? Sex work is work!!!
Looking at these photos feels so personal because the work is so energetic, full of life, and so rarely seen. They are a photos of a beautiful and bygone LA. It reminds me in so many ways of Cecil Beaton's Bright Young Things (maybe it's the gloves and the glamour), but with drag queens and far more grit.
I first fell in love with Maggie Nelson through her proflific works Bluets and The Argonauts. But there is something about The Red Parts that continues to stick with me. As the media remains fascinated with the murders of young white women, this book tells the story of the families deeply traumatized by the publicity and continuous unearthing of tragedy.
Feminism. Horror. Aliens. What frontiers hasn't Octavia tackled?
Big Time Punk is determined to hate Celine Dion forever. In his journey to understand her, he sobs watching her at her Las Vegas residency. A great lesson in why cheese and sentimentality matter.