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Everyone Knows Your Mother is a Witch (Farrar, Straus and Giroux)
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.
So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.
Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.
Rivka Galchen is the recipient of a William Saroyan International Prize for Fiction and a Rona Jaffe Foundation Writers’ Award, among other distinctions. She writes regularly for The New Yorker, whose editors selected her for their list of 20 Under 40 American fiction writers in 2010. Her debut novel Atmospheric Disturbances (2008) and her story collection American Innovations were both New York Times Best Books of the Year. She has received an MD from the Icahn School of Medicine at Mount Sinai. Galchen lives in New York City.
Karen Russell won the 2012 and the 2018 National Magazine Award for fiction, the New York Public Library Young Lions Award, and is the recipient of a Guggenheim and a MacArthur fellowship. Her first novel, Swamplandia! (2011), was a finalist for the Pulitzer Prize. She is the author of three story collections and the 2014 novella Sleep Donation, reissued in 2020 in an illustrated paperback edition from Vintage. Her most recent story collection is Orange World and Other Stories. Born and raised in Miami, Florida, she now lives in Portland, Oregon with her husband, son, and daughter.
Praise for Everyone Knows Your Mother is a Witch:
"Galchen is an inventor and fabulist of the highest order: Her narratives are rigorous, antic creations that explore deceit, misinformation, identity, and the nature of knowledge. Her latest puzzle box of a novel is a surrealist horror story set in the 17th century . . . the story is winding and hallucinatory, full of poison, gossip, and astral musings. Drawing partly from historical documents, the world Galchen creates feels more than just real. It feels haunted."
—Kevin Lozano, Vulture
"For the title alone, I'm in, no matter who wrote it. But then it's also Rivka Galchen? Trying her hand at historical fiction? I'm hitting preorder."
—Hannah Gersen, The Millions - Most Anticipated Books of 2021
"Imagine a story set in 1620 that speaks directly to your own scalded, twenty-first century heart. By Rivka Galchen's magic, Everyone Knows Your Mother is a Witch instantly became one of my favorite books. I need no witchcraft to predict it will astonish, beguile, and transform you, too."
—Karen Russell, author of Swamplandia! and Orange World
"Galchen’s latest book, which is by turns witty, sly, moving, and sharp, is a marvel to behold . . . There is so much in this novel to consider—the degree to which we make monsters of one another, the way that old age can make of femininity an apparently terrifying, otherworldly thing—but it is also, at every step along the way, an entirely delicious book. Dazzling in its humor, intelligence, and the richness of its created world."