Girls That Never Die: Poems (One World)
Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children
In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.
Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning:
[what if i will not die]
[what will govern me then]
Sudanese by way of D.C., Safia Elhillo is the author of The January Children and Home Is Not a Country and co-editor of the anthology Halal If You Hear Me. Winner of the Sillerman First Book Prize for African Poets, the Arab American Book Award, and the Brunel International African Poetry Prize, she is also the recipient of a Wallace Stegner Fellowship from Stanford University, a Cave Canem Fellowship, and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from The Poetry Foundation. Her work has appeared in POETRY Magazine, The Atlantic, and The Academy of American Poets’ Poem-a-Day series, among others, and has been translated into several languages.
Morgan Parker is a poet, essayist, and novelist. She is the author of the young adult novel Who Put This Song On?; and the poetry collections Other People’s Comfort Keeps Me Up At Night, There Are More Beautiful Things Than Beyoncé, and Magical Negro, which won the 2019 National Book Critics Circle Award. Parker’s debut book of nonfiction is forthcoming from One World. She is the recipient of a National Endowment for the Arts Literature Fellowship, winner of a Pushcart Prize, and has been hailed by The New York Times as “a dynamic craftsperson” of “considerable consequence to American poetry.”
Praise for Girls That Never Die -
“Girls That Never Die is an incredibly moving, and well-structured collection of poetry about being a Muslim girl, about shame, about the silent hurts women carry, about the pressures of cultural expectations, about dangerous silences. The writing here is incisive and intimate and eloquent. Truly, a stunning collection of poems. I particularly appreciated the range of forms across the poems and the structure of the book as a whole. Many of the poems end in ways that will leave you gasping. Loved this book. Some standout poems: Ode to My Homegirls, Zamalek, and Orpheus but really every single poem is stellar, no skips as the kids say. Also, A+ cover.”—Roxane Gay, author of Difficult Women and Hunger
“When I open a new book by Safia Elhillo, I know there will be fearlessness and beauty. There will be a voice that contains multitudes and yet is original and memorable in its daring. There is always lyricism and nuance, and memorable speech that knows how poetry opposes history. Indeed, Girls That Never Die is a book that gives us courage, despite all the despairing records of history. How does Elhillo do this? Perhaps by letting these pages be the space where witness and a new kind of mythology meet. And this meeting gives us strength. Why? Because there is in these poems an endlessly compelling voice that is unafraid to be vulnerable in order to tell the truth, a voice that walks against the current, walks between cultures, between languages, bridging them with honesty. Elhillo’s is a voice that walks into the future.”—Ilya Kaminsky, author of Dancing in Odessa and Deaf Republic
“Safia Elhillo traces the ongoing devastations of patriarchy while simultaneously making a refuge out of language, kinship, and sound. Electric, violet, plural with girls, this work pulses with memory and refusal, awakening language with its lucid imagination. Girls That Never Die is a book of resuscitations. Brilliant. And fierce.”—Aracelis Girmay, author of The Black Maria
“I am rapt, finding here the hurt and the heft of girlhood. All the old silences, all the unuttered shames are ruptured, tended to, and—finally—named. Elhillo is a poet of wisdom, rigor, and vindicating care. Girls That Never Die is an astonishment.”—Tracy K. Smith, author of Ordinary Light and Wade in the Water